The Art of Sami Yusuf
British composer Sami Yusuf is one of the most influential musicians of our time in the field of world music traditions. The internationally acclaimed artist is known for his electrifying large-scale events that interweave diverse strands of world music with contemporary innovation. His ground-breaking performances draw large audiences from the Americas to Europe and from the MENA region to Central and South Asia.
Creator of the When Paths Meet concert series, Sami has released nine studio albums and thirteen live albums, amassed over a billion downloads, and performed at sold-out venues on six continents. His work shines with beauty and depth as it moves fluidly among genres as diverse as qawwali, Persian classical, Middle Eastern Sufi music, flamenco, and Western classical styles. He has sold over 45 million albums and was awarded an Honorary Doctor of Letters from Roehampton University for "his invaluable contribution to the field of music."
“When composing, I feel I have entered a world more vibrant and alive than the one we normally inhabit.”
– Sami Yusuf
“It is music that blows you away with polyphonic choirs, virtuoso percussion and the power of the single melody held in place by so many instruments simultaneously.”
– Cultural Press Agency
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British composer Sami Yusuf has been dubbed "a megastar" by the BBC, "the biggest star in the Middle East is a Brit" by The Guardian, and "one of the most successful artists in contemporary times" by MyLondon. The numbers bear this out: over 45 million albums sold, over a billion downloads amassed; sold-out concerts at venues including Wembley Arena, The Royal Albert Hall, Los Angeles’s Shrine Auditorium, and the Philharmonie de Paris; and an audience of 250,000 in an open-air performance in Istanbul—one of the largest live concert events ever. His iconic piece ‘Supplication’ was featured in the Golden Globe-nominated film The Kite Runner, and he composed music for the award-winning film 1001 Inventions with Omar Sharif.
His recent major events and albums include his When Paths Meet concerts: Alma at the Fez Festival of World Sacred Music (2024); L’Amour at the Philharmonie de Paris (2023); and ONE at Amsterdam’s Royal Concertgebouw (2022); as well as Beyond the Stars at the Dubai EXPO (2021); and A Timeless Presence at the UNESCO World Congress (2019). Teaming up with legends such as A.R. Rahman, Homayoun Shajarian, Rahat Fateh Ali Khan, Antonio Rey, Abida Parveen, Ballaké Sissoko, Nabyla Maan, and China’s "national treasure" Guo Gan, Sami has performed on six continents and his tracks have topped world music charts.
Born to Azerbaijani parents in Tehran, Iran (1980) and raised in London, Sami was trained from an early age in both Western and Middle Eastern classical music. As a result, his impressive body of work reflects his deep mastery of multiple musical languages. As a composer, multi-instrumentalist, and vocalist, at festivals and anchor events worldwide, his large-scale works shine with beauty and depth. He is widely acclaimed for his ability to move fluidly and authentically among genres as diverse as qawwali, Persian classical, Middle Eastern Sufi music, flamenco, and Western classical styles.
A passion for the power of music to express the subtleties of the human spirit has guided Sami Yusuf’s career from its start. He always knew music was his calling. He began developing his craft as a child growing up in London. His father, who was his principal teacher, taught him to play several traditional Middle Eastern instruments and gave him his early training in the tones and modes of the music they conveyed. To his ability to express himself musically within the classical Arabic/Central Asian modal systems of his Azerbaijani heritage, in his teens he added a fluency with piano and violin as he interiorised and immersed himself in Western classical music.
To date, Sami has released nine studio albums, thirteen live albums, and two compilation albums. Sami’s first album, Al-Mu’allim (2003), incorporated the Western and Eastern elements that exist within him, and with its release he quickly gained international recognition and celebrity. He composed and produced this work and others when he was in his early twenties, and although they created an entirely new musical genre that other artists to this day continue to follow, Sami soon realised that his artistic path was leading him elsewhere.
And so, he withdrew from the touring and producing scene for a number of years, releasing very few new pieces. During that time, Sami immersed himself in the study of both music and philosophy, exploring their complex theories and the ways that they express human experience. He travelled to sacred places, absorbing their ambience and inspiration. He sought out teachers from whom he learned knowledge along with ways of being. He worked on his craft, honing his skills through disciplined practice and experimentation, and seeking to bring new levels of artistry and meaning to his works. He came to see the interconnectedness of musical traditions, and resolved to bring that vision to his compositions. It was a time of profound personal and professional change, and the knowledge gained then became the foundation of the mature works that have since defined his career.
When he returned to the world stage with the release of Barakah in 2016, Sami’s passion for expressing the music and poetry of world artistic traditions reimagined in a contemporary language came fully into focus. In his performances at the Dubai EXPO, the UNESCO World Congress, the Fez Festival of World Sacred Music, and in his When Paths Meet concert series, Sami brings together master musicians from China to Central Asia to Arabia and from North and West Africa to Europe under his direction. Each concert is a unique experience at which he launches new compositions and arrangements. His large global listening audience grows ever larger as the reach of his ecstatic compositions continues to expand.
Music pierces the veil of separation between people.
Music can express the most subtle realities that exist just beyond words.
I always emphasise the beauty of each tradition in order to realise the underlying Unity.
An experience of sacred art is like an encounter with breath-taking nature.
Explore the Instruments
in Sami Yusuf’s Compositions
Daf
Daf
The Daf is a large frame drum from the Middle East and Central Asia, used in both classical and spiritual music. Its rhythmic, percussive sound is enhanced by small metal rings, creating a rich, textured rhythm.
Sitar
Sitar
The Sitar is a long-necked string instrument from India, known for its resonant, droning sound and complex melodic patterns. It is iconic in Hindustani classical music and has influenced global music through its use in popular and spiritual contexts.
Chang
Chang
The Chang is an ancient Persian harp, historically used in classical Persian music, producing a delicate, ethereal sound. Though rarely used today, it played an important role in ancient and mediaeval Persian and Turkic music traditions.
Tabla
Tabla
The Tabla is a pair of hand drums from North India, known for its complex rhythms and tonal versatility. Central to Hindustani classical music, the tabla’s intricate finger techniques allow for a wide variety of sounds.
Piccolo
Piccolo
The Piccolo is a small, high-pitched flute, producing a bright, piercing sound. It plays an important role in orchestral music, often adding brilliance and cutting through the sound of the larger instruments.
Qoltuq Nagara
Qoltuq Nagara
The Qoltuq Nağara is a small, portable drum from Azerbaijan, typically carried under the arm while played. Known for its sharp, rhythmic sound, it is used in folk music and festive occasions, often accompanying dances and ceremonies.
Kudüm
Kudüm
The Kudüm is a pair of small, dome-shaped drums used in Turkish classical and religious music, particularly in Mevlevi Sufi rituals. Played with light mallets, its deep, resonant tones provide a steady rhythmic foundation, symbolising spiritual balance and the heartbeat of the universe in Sufi traditions.
Bendir
Bendir
The Bendir is a large frame drum commonly used in North African and Middle Eastern music, particularly in Sufi rituals and folk traditions. It features a wooden frame with a drumhead and often includes snares, giving it a distinctive buzzing sound that adds rhythmic depth to spiritual and traditional performances.
Harpsichord
Harpsichord
The Harpsichord is a keyboard instrument from the Baroque period, where strings are plucked by quills when keys are pressed. Its bright, metallic tone was essential in early Western classical music but in the mid-18th c. it was replaced in popularity by the piano.
Dutar
Dutar
The Dutar is a long-necked, two-stringed lute from Central Asia, producing a warm, gentle sound. It is widely used in folk and traditional music in countries like Iran, Uzbekistan, Tajikistan, and Turkmenistan.
Timpani
Timpani
The Timpani are large, tunable kettledrums used in classical orchestras, known for their deep, resonant sound. They provide both rhythm and harmonic support, often punctuating dramatic moments in symphonic music.
Rubab
Rubab
The Rubab is a short-necked lute from Afghanistan and Central Asia, producing a warm, resonant sound. It is central to Afghan classical and folk music, and its deep, melodic tones often accompany spiritual and poetic themes.
Bass
Darbuka
Bass
Darbuka
The Bass Darbuka is a larger version of the traditional goblet-shaped Darbuka drum, producing deep, resonant bass tones. It is commonly used in Middle Eastern music to provide rhythmic foundations, blending powerful low-end beats with intricate hand rhythms.
Contrabass
Contrabass
The Contrabass, also known as the double bass, is the largest and lowest-pitched string instrument in the Western orchestra. Its deep, resonant tones provide the harmonic foundation for both classical and jazz ensembles.
Zurna
Zurna
The Zurna is a loud, double-reed woodwind instrument from Central Asia, the Middle East, and the Balkans. Its piercing, vibrant sound is used in folk music and ceremonial occasions, often accompanied by drums.
Tanbur
Tanbur
The Tanbur is a long-necked string instrument played under various names from the Balkans to northwestern Asia. Frequently used in Persian and Kurdish music, it is known for its deep, meditative tone. Its spiritual and classical significance is profound, often used in Sufi rituals and mystical music traditions.
Qo’shnay
Qo’shnay
The Qo’shnay is a traditional Uzbek double-reed wind instrument, made from two connected reed pipes. It produces a sharp, piercing sound and is commonly used in folk music of Central Asia, especially in festive and ceremonial occasions.
Oud
Oud
The Oud is a pear-shaped, fretless lute with deep roots in Middle Eastern music, known for its rich, warm tones and expressive range. With its short neck and multiple strings, it is central to Middle Eastern and Central Asian musical traditions, often used to convey deep emotional and spiritual expressions.
Santur
Santur
The Santur is a traditional hammered dulcimer with origins in Persia, featuring a trapezoidal shape and numerous strings played with delicate mallets. Its ethereal, shimmering sound is central to classical Persian music and has influenced various musical traditions across the Middle East and South Asia.
Viola
Viola
The Viola is a bowed string instrument, slightly larger than the violin, known for its mellow, rich sound. It plays a key role in both orchestral and chamber music, providing harmonic depth and melodic warmth.
Darbuka
Darbuka
The Darbuka is a goblet-shaped hand drum commonly used in Middle Eastern, North African, and Eastern European music. It has a deep, resonant bass sound with sharp, high tones when struck near the rim, making it a versatile instrument for intricate rhythms. The Darbuka is often central to folk, classical, and modern music ensembles in the region.
Doira
Doira
The Doira is a traditional frame drum with metal rings inside the frame, producing a jingling sound when played. Popular in Uzbek, Tajik, Azerbaijani and Persian music, it is used in folk and classical performances.
Kora
Kora
The Kora is a 21-string harp-lute from West Africa, particularly associated with the Mandinka people. Its ethereal, melodic tones accompany storytelling and praise singing in the griot tradition.
Riq
Riq
The Riq is a small tambourine from the Middle East, featuring metal jingles and a drumhead, used in traditional and classical Arabic music. Its bright, rhythmic sound adds both melody and rhythm to musical ensembles.
Tar
Tar
The Tar is a long-necked lute with regional variations across the Middle East and Central Asia. The Persian tar has a double-bowl body and a deep, resonant sound, central to Persian classical music. The Azerbaijani tar is lighter and used in mugham music with a brighter tone. Other regional variations exist, each adapted to local folk traditions, with unique tunings and playing styles.
Pipa
Pipa
The Pipa is a Chinese four-stringed lute, played with finger picks, known for its rapid, flowing notes and expressive tonal range. It is a central instrument in traditional Chinese music, often used for storytelling through music.
Violin
Violin
The Violin is a bowed string instrument with four strings, celebrated for its versatility and wide expressive range. It plays a key role in Western classical music as well as in folk, jazz, and contemporary genres worldwide.
Qashqar
Rubob
Qashqar
Rubob
The Qashqar Rubob is a traditional stringed lute from the Xinjiang region of China, particularly associated with the Uyghur people. Its warm, melodic sound plays a central role in Central Asian folk music, often accompanying vocals and dance.
Yangqin
Yangqin
The Yangqin is a Chinese hammered dulcimer, played with bamboo mallets to produce bright, percussive tones. Its lively sound is integral to traditional Chinese orchestras and folk music.
G’ijjak
G’ijjak
The G’ijjak is a bowed string instrument from Central Asia, particularly used in Uzbek and Tajik music. Its small, pear-shaped body and sharp, nasal tone are central to traditional ensembles in the region.
Organ
Organ
The Organ is a keyboard instrument that produces sound by forcing air through pipes, creating a wide range of tones, from soft and mellow to grand and powerful. It is a cornerstone of Western sacred and classical music.
Qanun
Qanun
The Qanun is a zither-like string instrument dating back to the 19th c. BC that is used in Middle Eastern, North African, and Mediterranean music. Featuring over 70 strings and played with finger picks, its vibrant, harp-like sound adds a shimmering texture to traditional and classical ensembles.
Ehru
Ehru
The Erhu is a two-stringed Chinese bowed instrument, often called the “Chinese violin,” known for its melancholic, expressive sound. Its haunting tones are central to Chinese classical and folk music.
Dholak
Dholak
The Dholak is a double-headed hand drum from South Asia, widely used in folk, devotional, and classical music. Its high-pitched, resonant tones provide rhythmic accompaniment in genres like qawwali and bhangra.
Balaban
Balaban
The Balaban is a double-reed wind instrument from Azerbaijan, producing a deep, haunting sound. Also known as a duduk in Armenia, it is a key instrument in Azerbaijani traditional music and is often played in emotional, reflective melodies.
Classical Guitar
Classical Guitar
The Classical Guitar is a six-stringed instrument with nylon strings, known for its rich, warm tones. Central to Western classical music, it is played fingerstyle and has a wide repertoire from Baroque to modern compositions.
Azerbaijani
Saz
Azerbaijani
Saz
The Azerbaijani Saz is a long-necked lute from Azerbaijan, known for its bright, melodic sound and intricate playing technique. Central to Azerbaijani folk music and ashik (bardic) traditions, it features a deep, resonant body and multiple strings, used to accompany poetic storytelling and expressive melodies.
Kamancheh
Kamancheh
The Kamancheh is a Central Asian bowed string instrument, producing a melancholic, soulful sound. It has a small, spherical body and is a key instrument in Persian and Turkic classical music, offering rich, expressive tones.
Woodblock
Woodblock
The Woodblock is a simple percussion instrument, made of hollowed wood, producing a sharp, high-pitched click when struck. It is used in a variety of musical styles, from orchestral to popular music, for rhythmic accents.
Ney
Ney
The Ney is an ancient end-blown flute from the Middle East, known for its breathy, meditative sound. Its spiritual significance in Sufi music is profound, often used to evoke deep emotion and reflection.
Hurdy-
Gurdy
Hurdy-
Gurdy
The Hurdy-Gurdy is a mediaeval European string instrument operated by a crank, with a keyboard that presses strings to change pitch. It produces a droning, bagpipe-like sound and is commonly used in European folk music.
Sato
Sato
The Sato is a traditional bowed string instrument from Central Asia, particularly used in Uzbek and Tajik classical music. It features a long neck and a resonant body, producing a rich, expressive sound, often accompanying spiritual and poetic music in the region.
Guzheng
Guzheng
The Guzheng is a Chinese plucked zither with 16 to 21 strings, known for its rich, melodic sound. Its flowing, gliding notes are essential in traditional Chinese music and have influenced modern compositions.
Tonbak
Tonbak
The Tonbak, also known as the tombak, is a goblet-shaped hand drum from Persia, renowned for its deep, resonant tones and rhythmic versatility. It plays a key role in Persian classical music, with intricate finger techniques that create dynamic, complex rhythms.
Cello
Cello
The Cello is a large, bowed string instrument with a deep, rich sound, central to Western classical music. Its wide range and expressive tonal capabilities make it a versatile instrument in orchestral, solo, and chamber music.
Divan
Saz
Divan
Saz
The Divan Saz, or Divan Bağlama, is a larger version of the Turkish bağlama, producing a deeper, fuller sound. Used in Turkish folk and classical music, it is favoured for its rich resonance and its ability to convey deep, emotional melodies.
Global Influences
Influences
Venues
Africa
The Americas
Australia
Australia Venues
Azerbaijan
Canada Venue
Central Asia
Central Asia Venues
Europe
Europe Venues
East Asia
Guyana Venue
India Venue
Middle East
Middle East Venues
North Africa Venues
Russia Venues
Scandinavia Venues
Singapore Venue
South Africa Venues
South Asia
UK Venues
USA Venues
Places, Peoples, and Performances
World music traditions are incredibly diverse and deep, offering a vast range of sounds that express the ethos of cultures and regions. This map highlights some of the key global influences on Sami Yusuf's music, along with places where he has performed and connected directly with his audiences.
Africa
Sami Yusuf was profoundly inspired by the kora of West Africa’s Senegal, Mali, and The Gambia as a young man in London, and its sounds continue to resonate with him today. The Swahili sounds of East Africa, the powerful Zulu voices of South Africa, North Africa’s Sufi chants, muwashshahat, and Andalusian music have left an indelible mark on his heart.
The Americas
Sami Yusuf is deeply influenced by the vibrant sounds of Latin America, including Brazil’s bossa nova and Argentina’s tango, which play a role in his musical expression. The folk and country music of North America have also enriched his artistic journey. Additionally, the primordial power conveyed in Native American drumming and dancing left an important mark on him as a child.
Australia
Sami Yusuf was spellbound by the musical traditions of Australia’s First Nations people when he first encountered them years ago. The primordial resonance of the didgeridoo particularly inspired him, pointing as it does to its origins in a time beyond time.
Australia Venues
Sir Robert Blackwood Hall, Melbourne
Concourse Concert Hall, Sydney
Azerbaijan
Sami Yusuf’s personal connection to the musical heritage of Azerbaijan began in his childhood. The Azerbaijani mugham in particular, a musical genre that expresses complex ideas and emotional meaning, continues to influence his artistic expression. He frequently uses the balaban and the tar along with other traditional instruments of the region in his compositions.
Canada Venue
Toronto Convention Centre, Toronto, Ontario
Central Asia
The haunting sounds of Central Asian musical traditions with their emphasis on mysticism and spirituality have left a lasting impression on Sami Yusuf. In addition to the region’s folk music, shashmaqam music, with its complex system of melodies and rhythms, intricate improvisation, and ornamentation blending Turkic, Persian, and Arabic elements, is a rich source of inspiration that can be often heard in his compositions.
Central Asia Venues
The Kojomkul Sports Palace, Bishkek, Kyrgyzstan – Kohi Borbad, Dushanbe, Tajikistan – The Eternal City, Samarkand, Uzbekistan
Europe
Sami Yusuf was shaped by the genius of the Baroque, Classical, and early Romantic composers, who profoundly inspired him. Influences rooted in the evocative storytelling of Celtic music and traditional folk songs of the British Isles are also found throughout his works. And from Spain, the passionate sounds of flamenco play a significant role in his artistic expression.
Europe Venues
SEG Geneva Arena, Geneva, Switzerland – Wiener Stadthalle, Vienna, Austria – Lanxess Arena, Cologne, Germany – Grugahalle, Essen, Germany – Max-Schmeling-Halle, Berlin, Germany – Sporthalle Hamburg, Hamburg, Germany – Theater Im Pfalzbau, Ludwigshafen, Germany – Colosseum Theater, Essen, Germany – De Doelen, Rotterdam, Netherlands – Wilminktheater, Enschede, Netherlands – Concertgebouw, Amsterdam, Netherlands – De Doelen, Rotterdam, Netherlands – Le Bataclan, Paris, France – Philharmonie de Paris, Paris, France – Bozar, Brussels, Belgium – Sala Apolo, Barcelona, Spain – Philip II Stadium, Skopje, Republic of North Macedonia
East Asia
In the Far East, the Chinese instruments the erhu and guzheng, along with the pentatonic scale, have drawn the attention of the composer and inspired him to explore their depths. Traditional Chinese sounds, with their delicate beauty, have added a unique dimension to his music as he continues to expand his musical palette.
Guyana Venue
Guyana National Stadium, Georgetown
India Venue
Garden of Five Senses, New Delhi
Middle East
Sami Yusuf is deeply inspired by the rich musical heritage of the Middle East, particularly the modal systems of dastgah and maqam. These intricate musical structures as expressed on traditional instruments shaped his early years and continue to resonate in his compositions.
Middle East Venues
Taksim Square, Istanbul, Türkiye – Harbiye Cemil Topuzlu Open Air Theatre, Istanbul, Türkiye – Kucukcekmece Arena Mega, Istanbul, Türkiye – Heydar Aliyev Palace, Baku, Azerbaijan – Heydar Aliyev Center, Baku, Azerbaijan – Heydar Aliyev Sports and Concert Complex, Baku, Azerbaijan – Katara Amphitheatre, Doha, Qatar – The Sheikh Jaber Al Ali Al Sabah Concert Hall, Kuwait – Royal Opera House Muscat, Muscat, Oman – Dubai Opera House, Dubai, UAE – Emirates Palace, Abu Dhabi, UAE – Al Wasl Plaza, Dubai, UAE – Al Majaz Amphitheater, Sharjah, UAE – Rachid Karameh Stadium, Tripoli, Lebanon
North Africa Venues
Cairo Opera House, Cairo, Egypt – Alexandria Bibliotheca, Alexandria, Egypt – Cairo International Stadium, Cairo, Egypt – Mawazine Festival (Nahda Space), Rabat, Morocco – Bab Al Makina, Fes, Morocco – Theatre de la province de Tetouan, Tétouan, Morocco – Salle Omnisports of Radès, Tunis, Tunisia – La Coupole d’Alger Arena, Algiers, Algeria
Russia Venues
Kazan Main Square, Kazan
Crocus City Hall, Moscow
Scandinavia Venues
Farum Arena, Copenhagen, Denmark – DR koncerthuset, Copenhagen, Denmark – Musikhuset, Aarhus, Denmark – MusikTeatret Albertslund, Copenhagen, Denmark – Union Scene, Drammen, Norway – SR Berwaldhallen, Stockholm, Sweden – Konserthuset, Malmö, Sweden – Kulttuuritalo, Helsinki, Finland
Singapore Venue
Singapore Indoor Stadium, Kallang
South Africa Venues
Coca-Cola Dome, Johannesburg
The Bellville Velodrome, Cape Town
South Asia
When as a child Sami Yusuf began listening to Indian ragas, both Carnatic and Hindustani, and in particular the sitar music of Ravi Shankar, it opened up an exciting world where ancient, complex rhythms and subtle melodies affected their listeners at a fundamental level. The ecstatic qawwali music of Pakistan with its direct expression of mystical experience profoundly resonates with him and infuses his work with spiritual depth and passion.
UK Venues
Royal Albert Hall, London – Wembley Arena, London – O2 Shepherd's Bush Empire, London – Cadogan Hall, London – RNCM, Manchester – The Troxy, East London – The Phoenix Theatre, London
USA Venues
New Brunswick Performing Arts Center, New Brunswick, New Jersey
Shrine Auditorium, Los Angeles, California
Flint Center, Cupertino, California
The Music Center at Strathmore, Washington, DC